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Actors are a bit…self-involved. That’s not exactly breaking news. So for a particular breed of thespian, playing opposite themselves is probably quite a kick. Which might explain why Jean-Claude Van Damme has arranged that very scenario three times in three different movies: Double Impact (1991), Maximum Risk (1996) and Replicant (2001). In retrospect, probably not the best idea for an actor who needs all the help he can get to emote convincingly. But it can still be awful fun to watch, especially his inaugural adventure as Chad and Alex, twins separated at birth who reunite to save their father’s legacy in the aforementioned Double Impact . Raised in L.A., Chad is a happy-go-lucky womanizer who discovers his parents were murdered by a triad in Hong Kong where his twin, Alex, has been slumming for the past 20-plus years. This odd couple is brought together by Frank (Geoffrey Lewis), the former family bodyguard, in search of hard evidence to implicate the murderers responsi...

If your knowledge of Greek history is limited to Ray Harryhausen films and some half-remembered high school Honors English, then Michael Cacoyannis’ Iphigenia (1977), based on the play by Euripides, might seem above your pay grade. But there’s a reason these mythological tales have such staying power; they’re often built around universal truths, political drama and emotional baggage that’s all too familiar even in the modern era. Minus the stop motion monsters, of course. Despite its resemblance to Clash of the Titans , there are no krakens unleashed in this story of King Agamemnon, ruler of Argos, who’s duped into sacrificing his daughter, Iphigenia, in order to appease the gods and raise the winds that will send his ships to Troy. Iphigenia’s mother, Queen Clytemnestra, rages for her doomed daughter’s plight, enlisting the help of Achilles to convince his fellow soldiers of the tragedy in the making. But in a world of weak, petty men beholden to their positions of power, women –...

Just as science-fiction cinema was never the same after 2001: A Space Odyssey , modern fantasy films owe a huge creative debt to John Boorman’s Excalibur (1981). Gritty and glorious, this retelling of the Arthur and the knights of the round table was a far cry from the stagey antics of Camelot or even the fantastic mythological adventures crafted by Ray Harryhausen. This felt real! A muddy, bloody medieval slog through the dark ages with a dose of authentic magic for good measure. Orphaned at birth and raised in anonymity, Arthur (Nigel Terry) pulls the sword from the stone and reveals himself as the once and future king…albeit a horribly unprepared one. That’s where Merlin (Nicol Williamson) comes in, schooling the young squire in the ways of proper politics to unite the land. But a bitter love triangle develops between his wife, Guinevere, and most trusted knight, Lancelot, opening the door for an incestual coup d’etat fueled by black magic and family drama. Starring a who’s ...

In the annals of WTF film history, few films make a more vivid impression than The Visitor (1978), an Italian-produced horror-sci-fi oddity that manages to rip off movies as disparate as The Omen, The Exorcist, Close Encounters , The Fury and the psychedelic oeuvre of Alejandro Jodorowsky. Add in an all-star cast of old Hollywood icons, some Chariots of the Gods mythology and a child actor with a southern accent as thick as a plate full of chicken ‘n waffles and you’ve got one must-see hot-mess of a movie! Pursuing the progeny of an evil alien entity, Jerzy (John Huston) finds his next target in the heart of Atlanta. Katy (Paige Conner) is a bad-seed with a bad attitude, using her telekinetic powers to torture her mother (Joanne Nail), housekeeper (Shely Winters) and the cop (Glenn Ford) investing a shooting at her birthday party. Her prospective stepdad (Lance Henriksen) coddles this behavior at the behest of a mysterious cabal (led by Mel Ferrer) determined to utilize Katy’s powe...

While he’s better known as one of the most popular novelists of the past two decades, the late Michael Crichton was a small entertainment industry unto himself. His accomplishments include literary successes like The Andromeda Strain and Congo , director of the hit mid-70s medical thriller Coma , and the producer behind TV’s longtime juggernaut ER . But it’s Jurassic Park that bestowed upon him the same sort of immortality as his genetically-cloned dinosaur creations. As all-encompassing as the book and film became to worldwide popular culture, it was really just a second draft of one of Crichton’s earlier ideas, which he also directed in 1973: Westworld . Delos is the amusement park of the future. Visitors, paying $1000 per night, arrive via hovercraft and are shuttled off to the world of their choice - Medieval World, Roman World or West World – to enjoy a completely authentic experience. This is made possible through high-tech robots indistinguishable from actual human bein...

American Yakuza (1993) was probably destined to slip through the cracks. Marketed as a “mafia vs yakuza” thriller, first time director Frank Cappello’s film feels more like it was a holdover from the Miami Vice era with its internecine gangland warfare, undercover operatives and unmotivated mood lighting. All that’s missing is a Phil Collins drum solo and a couple of commercial breaks. But, taken as a whole, the film is a plain-spoken bit of mid-‘90s direct-to-video action fare, much like its plain-spoken star: Viggo Mortensen. Ingratiating himself with the second-in-command, Nick (Mortensen) manages to work his way into the inner circle of the L.A. yakuza who are at war with the Campanela family, homegrown mafia regulars. While he attempts to lower the temperature between both factions, Nick finds himself torn between loyalty towards his new employers and his official job as a federal agent. Add in an exotic love-interest and some agency meddling and Nick is forced to choose bet...