Manon
MANON: The name Henri-Georges Clouzot never jumps to the front of those "best director" lists favored by cineastes. Probably because, as a French director, his work was overlooked and under praised in his own country by the likes of Cahiers du Cinema in favor of British and American genre filmmakers. The international success of Diabolique and The Wages of Fear earned him the nickname of "the French Hitchcock," which only serves to somewhat dismiss his career as an imitator rather than an innovator. But as his lesser-known masterpiece Manon (1949) proves, Clouzot was far more adept and adaptable than his reputation suggests. Based on the 18th century novel, Clouzot updates the story to post-WW2 Paris where resistance fighter Robert Desgrieux falls for the morally questionable Manon Lescaut. A classic case of country mouse and city mouse, Manon's desperate need for money and excitement clashes with...