Movieline Online

Even if a big-screen Western comeback never reaches fruition, the DVD format has seen some true classics of the genre finally get their due. None more so than “Spaghetti Western,” the misbegotten children of Hollywood mythmakers like John Ford filtered through that peculiarly Italian sensibility. But the sub-genre goes much deeper than the seminal work of Eastwood and Leone’s “Dollars” trilogy. Both the good and the bad, the visceral and the political, come to a head in Anchor Bay’s “Once Upon A Time In Italy Collection,” gathering five impressive previously released films into one sweet looking box set. Taking them on alphabetically, “A Bullet For the General” (AKA “Quien Sabe” or “Who Knows?”) is a subtly powerful political statement from director Damiano Damiani disguised as a buddy picture. Chuncho, a bandit/revolutionary with an unquenchable lust for life, befriends a mysterious American he nicknames “Nino.” With the gringo’s help, Chuncho and his gang sweep through Mexico gatheri...

The Flick Born of an era when every low-budget film producer was looking for an angle to make a quick buck in the exploitation market, “Fight For Your Life” plays the race card with a vengeance — pitting a trio of escaped cons (led by white trash kingpin William Sanderson) against an innocent suburban black family. Hurling epithets and punches with equal ferocity, the movie aims to shock (especially with a third act twist akin to “Last House on the Left”) but is actually fairly tame by cult cinema standards. Sanderson and his crew taunt their hostages with every “darkie” insult you can imagine, but the presiding head of the household (Robert Judd), a minister, insists on turning the other cheek…until he just can’t take it anymore! (Yup, just like the movie poster). There’s one or two cold-blooded murders, one attempted rape, three successful rapes, and the brutal braining of a 12-year-old boy. And that’s before anyone starts fighting back! As ferocious as it all sounds, director Robert...

Making the transition from the comfortable grind of a successful weekly TV series to the bright lights of big-time Hollywood movies has produced more than a few casualties. For every Michael J. Fox or Tim Allen fortunate enough to find the right material, thereÕs a sad-sack like David Caruso who gambled and lost. Others like Jerry Seinfeld are just too smart to try. Ray Romano finds himself in a reasonably good position with ÒWelcome to Mooseport,Ó surrounded by some great actors (Gene Hackman, Marcia Gay Harden, Maura Tierney) and a slew of small town oddballs. So imagine the irony that itÕs Romano himself, and his rambling slow-paced delivery, that seem out of place. When the backwater burg invites the most popular ex-president in history (played to the hilt by Hackman) to be its Mayor, they spark a media feeding frenzy as RomanoÕs handyman character decides to start his own campaign Ð incensed that his long-time girlfriend (Tierney) accepted a date from the commander in chief. The s...

THE FLICK: At their best, Robert RodriguezÕ ÒSpy KidsÓ films are seat-of-your-pants storytelling, blessed with a healthy dose of improvised imagination. The director makes no secret that he likes to work fast and loose, below the studioÕs radar, giving him free reign to make movies his way. The results are a mixed success, with the second film in the series, Island of Lost Dreams, still the most inspired. In the case of ÒSpy Kids 3D: Game Over,Ó the formula is a tad muddled, with most of the series regulars (Antonio Banderas, Carla Gugino and even senior Spy Kid Alexa Vega) relegated to third act cameos. This time the series weakest link, Juni Cortez (Daryl Sabara), is assigned the big mission: stop a cyber-baddie named the Toymaker (Sylvester Stallone) by entering the video game world to prevent kids everywhere from being brainwashed. Ricardo Montalban as Grandfather Cailsta Cortez follows him into the game to help spring JuniÕs kidnapped spy sibling, Carmen. Even without the 3D gimmi...

THE FLICK: For all the bad press Disney has received of late about trouble in the board of directors, the disheartening split from Pixar and the general disarray of the mouse house, allow me to give them some love for the direct-to-video debut of “Lion King 1 1/2.” While not equal to the majesty of the original, the hyperactive story combined with original voice talents like Nathan Lane and Whoopi Goldberg show some concerted effort was put into making this more than just a franchise filibuster for parent’s hard earned dough. The movie follows second bananas Timon and Pumbaa on their quest for “Hakuna Matata” as the events from the first film take place concurrently. Meaning, we see the original “Lion King” through the eyes of the comic relief rather than Simba. It’s a fun gimmick, starting with Timon’s escape from a life of drudgery digging tunnels with his family to his eventual run in a flatulent boar named Pumbaa. Together they find a paradise of no worries, into which Simba appear...

THE FLICK: “Lost in Translation” is a film that finds itself – that’s coincidentally about finding yourself. It’s aimless, free form style (along with the spacey-tunes by ex-“My Bloody Valentine” guitarist Kevin Shields) is a perfect match for the improvisational talents of Bill Murray who stars as Bob Harris, an American actor filming a commercial in Tokyo. Scarlett Johansson is Charlotte, the bored wife of a workaholic photographer in Japan on business. Their chance meetings strike up a friendship and an unspoken connection that allows director Sofia Coppola’s film to take on a playful air of innocence despite the drastic age difference between the two leads. Never quite a comedy – although Murray is given free reign to be himself – the film is brilliantly adept at never saying more than it has too. Coppola explores her own artistic sensibilities as Bob and Charlotte explore the city, drifting through an endless barrage of neon lights and late-night parties. “Lost in Translation” dev...