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Universal’s remake of The Wolfman came awfully close to being an “Alan Smithee” production. You know, the nome de plume director’s take when their work has been hacked to unrecognizable pieces by studios who feel their work isn’t commercial enough. One director walked out (music video vet Mark Romanek) and another ( Jurassic Park 3’s Joe Johnston) went through a number of reshoots before the movie was put on a shelf like a wheel of cheese to be aged for more than a year. The odds were pretty high that Benecio Del Toro’s transformation into a hairy howling beast was going to need some serious grooming. But, as they say in professional sports, “that’s why they play the game.” And surprisingly much of the high-profile artistry shines through in this updated but engagingly retro version of the 1941 classic. The sets, scenery and photography are all gloriously Victorian. Anthony Hopkins is enjoyably hammy. And make-up artist Rick Baker’s designs hearken back to Universal’s glory d...

Like the flowers, card and candy, Valentine’s Day “the movie” is just one of those things men are expected to suffer through. It’s not really meant for anyone with a Y-chromosome despite sporting its fair share of eye candy both female (Jessica Alba, Jennifer Garner, Jessica Biel) and male (Jamie Foxx, Ashton Kutcher, Eric Dane). In fact, it easier to list who’s not involved in the all-star cast than sit through the lengthy credits. The wraparound story involves several different couples who are either breaking up or hooking up on this the most romantic of holidays. Will Ashton Kutcher and Jennifer Garner realize that they’re more than just best friends? Will Anne Hathaway’s second job as a phone sex operator ruin her chances with Topher Grace? Will Hector Elizondo and Shirley MacLaine patch up their marriage? OK, no one really cares about that last one; this is a movie for the smartphone generation through and through. But it’s also heavily inspired by the far superior Bri...

Despite sporting subtitles, being set in Saigon and featuring an all Vietnamese cast, Owl and the Sparrow doesn’t really fall into the typical foreign film category. And Stephane Gauger, the Vietnamese-American writer-director behind the film, would be the first to agree. His story of a flight attendant, zoo keeper and young flower girl whose lives intermingle over the course of five days in the city is the sort of simple, universal story that even Hollywood producers have made hundreds of times. Yet it’s not what’s in Gauger’s film that makes it different, it’s what he leaves out . There are no pratfalls, no wacky neighbors, no talking animals, no comedic misunderstandings that result in groin hits, spit takes or falls down a long flight of stairs. Owl and the Sparrow dispenses with the complications and tells the tender story of a little girl who, on the run from her callous uncle, winds up penniless and hungry on the street. Through a series of coincidences, she brings toget...

There have been countless actors throughout cinematic history who, despite their talent, charisma, good looks and professional training, just never become stars. They pop up in mediocre to bad movies, always hinting at their breakthrough potential but never living up to it. There’s plenty of blame to go around: bad luck, bad karma, and bad agents. But Paul Bettany leads the very definition of this cursed existence. After making a huge impression in A Knight’s Tale and Master and Commander , he’s limped from one lackluster film to the next finally coming to rest in Legion , a film for which he’s vastly overqualified and probably more than a little embarrassed to be emblazoned on the poster as a machine gun totin’ fallen angel escaped from Heaven to save us all from God’s wrath. Stitching together equal parts from Terminator and Tales From the Crypt’s Demon Knight , the film hints at worldwide Armageddon but only shows us the run-down diner where an unwed mother (Adrianne Palikir)...

If you’re looking for a classic Bond fix, Dorado films has your number: 077. With any new Bond films put on the backburner thanks to MGM’s financial woes, now’s the perfect time to catch up with Bond’s brother-from-another-mother: Dick Malloy, the CIA’s answer to Britain’s super-suave secret agent. He has a license to kill, punch, slap and make love to anyone that stands in his way. And as played by the burly Hollywood cast-off Ken Clark, you might just find yourself rooting for Agent 077 despite his hand-me-down villains, gadgets and overly dramatic theme songs. Copyrights be damned, these Italian co-productions lift everything that works in the Bond franchise and tweak it just enough to stay out of court. In Mission Bloody Mary , Malloy is on the trail of a new superweapon hijacked from the US and about to hit the blackmarket courtesy of the mysterious “Black Lily.” Joining him on the job is an attractive female operative (Helga Linne) who may or may not be in his corner. M...

With any new Bond films put on the backburner thanks to MGM’s financial woes, now’s the perfect time to catch up with Bond’s brother-from-another-mother: Dick Malloy, the CIA’s answer to Britain’s super-suave secret agent. He has a license to kill, punch, slap and make love to anyone that stands in his way. And as played by the burly Hollywood cast-off Ken Clark, you might just find yourself rooting for Agent 077 despite his hand-me-down villains, gadgets and overly dramatic theme songs.

Copyrights be damned, these Italian co-productions lift everything that works in the Bond franchise and tweak it just enough to stay out of court. In Mission Bloody Mary, Malloy is on the trail of a new superweapon hijacked from the US and about to hit the blackmarket courtesy of the mysterious “Black Lily.” Joining him on the job is an attractive female operative (Helga Linne) who may or may not be on his side.

Even die-hard Godzilla fans will admit that the idea of a 60-meter tall turtle stomping across Japan is patently ridiculous. Not to mention that he breathes fire and travels through the air like a jet-powered Frisbee. And yet that’s part of the charm of the Gamera series, the only legitimate contender to Toho’s “King of the Monsters” crown. Popping up for years on TV creature features across the country (and most recently mocked on Mystery Science Theater 3000 ), the Gamera films seemed to know they were second-best when it came to kaiju eiga…but damn if they weren’t going to have a good time! With a surprise announcement I don’t think anyone saw coming, Shout Factory comes to the digital rescue by scooping up the rights to all of Gamera’s screen appearances. First up is Gamera , The Giant Monster presented for the first time in its correct aspect ratio with original Japanese language tracks. As a collector’s item for giant monster fans, this is akin to finding a Spanish doub...

Fifteen years ago, Kevin Costner was on top of the world. Now he’s standing on top of an Indian burial mound shooting mud-covered zombies in a movie that was released in only two theaters. In Costner’s defense, The New Daughter is pretty good for what it is: a slow-burn, spooky campfire story that only loses its bearings during the ridiculously sloppy conclusion. Shepherded by Spanish director Luis Berdejo, whose clever zombie movie REC was remade as Quarantine , and starring Ivana Baquero, the little girl from Pan’s Labyrinth , the film is brilliantly creepy for most of its running time. Costner moves his broken family to a quaint little house in the swamp, where his almost-teenage daughter begins acting strangely after discovering a big pile of dirt in the backyard. As with most haunted house movies, the history of the property is soon uncovered and Costner questions whether his little girl is possessed by demons or just going through some hellish hormonal changes. If Berdej...

When used correctly, sci-fi gives filmmakers a chance to comment on current society with complete impunity. If you do it right, no one even knows it’s there. But with Daybreakers , set in a world where a vampirism is the new norm and humankind is on the verge of extinction, the subtext is either entirely lacking or buried 6-feet under a pile of bat guano. Ethan Hawke (who, bless his heart, always seems willing to give genre movies the ‘ol college try) plays a vampire hemotologist searching for a human blood substitute to replace the real thing. The remnants of mankind are milked for their precious bodily fluids in a big Matrix -style storage facility, but the well has almost gone dry. Sympathetic to the survivors plight, Hawke falls in with a group of human resistance fighters (including Willem Dafoe) who have a potential cure that could set the world to rights again….that is, if the prevailing vampire government (led by Sam Neill) will let it happen. Directed by the Spierig Bro...